Preface: Before the question
In what arrived belatedly as an announced, but delayed, preface to Marquis de Sade's Philosophy in the Bedroom, Jacques Lacan interrogates the relations Sade could be said to have had with, on the one hand, Sigmund Freud, and, on the other, Immanuel Kant. Despite the presuppositions at the time of its writing, the text was first published as "Kant avec Sade" in the journal Critique in 1963 and only later reappeared as the preface it had been conceived as: announcing the dogma of de Sade as an introduction to one of his key works. What had happened in the meantime, Lacan cryptically suggests, is that his – Lacan's – collection of lectures and essays, Écrits, had arrived with a certain acclaim on the French cultural scene, and what had at first appeared to the publisher as inconsequential ravings had morphed into a profound and potentially significant enframing of de Sade's "philosophy."
What is it we find here? It is stupid, says Lacan, to pronounce – as too many "literary types" do – that de Sade's perversions prefigured Freud's interrogation of sexual mores. True, they both have the appearance of schooling, and so serve to prepare, Lacan informs us, the way for a new science. To understand the difference between them we need to arrive at some conception of Freud's ethics of pleasure.
With what is known as the pleasure principle – announced in 1911 – Freud ordained a mechanism whereby pleasure is maintained at the lowest possible level. Lacan elsewhere referred to this principle as a homeostatic device, since it seeks to secure the functioning of the organism with as little excitement as possible.
Freud's principle is different from traditional ethics in that it doesn't disallow some sexual practices that had hitherto been condemned as wrong. However, such a realisation doesn't relieve us from approaching the principle as ethical. To Lacan, Freud's homeostatic device is what "preordains the creature to its good." In other words, it is by indulging in just enough pleasure to avoid unpleasure, either by becoming abstinent or consumptive, that we maintain our experience of goodwill.
What is remarkable, Lacan notes in his foreword to de Sade, is that Freud did not find it necessary to explicitly refer to this principle as an ethical prerogative. The only reason we can find for this, Lacan claims, is the 19th century obsession with the theme of "happiness in evil."
The "happiness in evil" – or, as we should say, happiness in the will – has its precursor in Kant's Critique of Practical Reason, which was published eight years prior to de Sade's Philosophy in the Bedroom. To Lacan, de Sade subverts the Enlightenment directive inaugurated by Kant, and it is as such that it is possible to say that de Sade offers the truth of Kant's Critique.
This "happiness in evil" becomes de Sade's Being-Supreme-in-Wickedness. Recall that this is quite a different notion of perversion – of which the Marquis figures as the first and predominant example in Lacan – from that which reigned in the "literary" epoch, i.e., prior to Freud, as well as from Freud's own inflection of the term. Perversion is no longer reducible to a catalogue of abominations – whipping, homosexuality, you name it – such as was the case prior to Freud, nor to a more select line of such – Freud famously excluded homosexual love from the list, while retaining sadomasochism. Lacan would draw the conclusion of Freud's tentative first step by positing that perversion is a position, and specifically a location in relation to the phallus.
The novelty and force of this perspective should become clear to those who study the present volume. It is not a clinical attempt, nor the final word on a philosophy of mind without psychoanalysis. Rather, it should be regarded as situated in between these two domains, and with eyes to both.
